Alan Sugar was on Friday Night with Jonathan Ross last night. You would struggle to find a more miserable bastard, but I thought he came across fairly well. You can hardly fault him for his attitude on BBC’s The Apprentice, because everything he says is bang on. Although I was never a fan of reality TV shows, I have found myself watching this every week. To be honest, I’m watching all of the reality TV shows because theres nothing else on, but The Apprentice is definitely a cut above the rest. Unlike the likes of Big Brother, the people who make The Apprentice genuinely set out to find the best candidates available, even subjecting them to psychological examinations. It is hard to believe that they could end up with such a disastrous crop as they have season.
RTE Cork’s The Fund is a decent concept, they did well to get so many good business ideas. The problem is, there is no bite to it. The candidates are all nice, likeable middle-class people with good business ideas that could work. I get no satisfaction watching the likes of glass-eyed Aidan McConnon kicked out. He was told to design an ad, he came up with sketches of each scene, what difference does it make if its got fancy graphics or not, this is stage 1 of the design. RTE are making a mistake in trying to emulate Simon Cowell/Alan Sugar in The Fund’s judge, Maree Morrissey.
When Alan Sugar declared that Mani had gone “from anchor to wanker” [you're fired], I was delighted. This was a guy that probably deserved to stay on merit, but was just an unpleasant character that nobody liked. It is the spirit of bloodsport that makes a good reality show tick, and if this was the glariator’s arena, there would have been a resounding thumbs down for Mani. But when a nice, intelligent guy like Vincent O’Brien, with a great product (the silasock) is being chastised for no real reason by an Anne Robinson-wannabe with no charisma, it just doesn’t work. Expect to see Darren Cassidy from Cork (with the ‘Park’nGard’) booted off next week because the judges don’t like his silly beard.
The other mistake is the length of this series. Compare it to the furious pace of Dragon’s Den, which fired out the business ideas one after another, dealt with them, and then moved on. I really do not want to see these candidates in another boring workshop. If The Fund took place on a boat, I would want it to smash against the rocks.
Geldof received the Irish Recorded Music Association (Irma) honour for his contribution to Irish music. Just wondering if Geldof has now attended more award ceremonies in his lifetime than concerts?
I made the mistake of watching Pop Years 1994 the other day on Sky, what an absolute disgrace of a production. I don’t know where they get these commentators, desperately trying to be witty with dumb remarks and boring anecdotes. They happily reminisced that this was the year when America’s musical dominion came to an end, and the British ruled once again. This was before half of them got stumped by the mention of “Loser” by Beck (”Who? Don’t remember that one…”)